The photograph, titled “Mom, I’ll follow yo still” by Jesse Navarre Vos, from the Taylor Wessing exhibition at the National Gallery, although wasn’t the winner is still a five star piece of work for me. It is a masterful example of how simplicity can evoke deep emotions. The image depicts a lone figure framed symmetrical in an elevator kept open by a propped up pillow, in what appears to be a type of multi-story housing, with clean architectural lines and subdued tones. Its aesthetic bares similarities to Wes Anderson’s work, particularly in its symmetry, muted palette, and the delicate balance between whimsy and melancholy.
The title already foreshadows the emotiveness of the work as well as adding another layer of meaning to the image. The words “mom, I’ll follow you still” carry an intimate and almost mournful sentiment, suggesting themes of loyalty, devotion, and enduring connection. it reminds the viewer of the universal bond between a parent and child, capturing a sense of longing and love at the same time hinting at loss. The emotional context is important and profound as it allows the viewer to delve into the relationship hinted at the title, as well as its connection to the lone figure in the frame, how this potentially is mirrored in their own life.
Like Anderson’s films, the photograph draws the viewer into a carefully curated moment, blending a sense of mundanity with narrative intrigue. The subject, positioned centrally becomes both the focal point and the mystery. Their stillness promotes contemplation- who are they, where have they been, and where are they going? The setting, with its brutalist architectural design, is a reminder of the familiar liminality of waiting rooms, offices or hallways we all encounter.
Emotionally, the piece stirs feelings of nostalgia and introspection. the emptiness surrounding the figure ingrains the scene with quiet solitude, while the symmetry and soft lighting suggest calm and order. The photograph transforms a fleeting, lone moment into an enduring consideration of devotion, transition, and humanity’s fragile resilience. It is visually captivating highlighting the exhibition whole heartedly.
By Megan Peach